The New Phase: Introducing Relaxed Trim…

Finally.

I’m glad to report that after years of clothing getting tighter and more shrunken we’re finally starting to experience a shift towards a softer more relaxed silhouette. No question trimmer and slimmer is still the dominant look; however the needle is slowly moving back towards a middle ground that is frankly where we should’ve always been.

tighter versus relaxed

The images above are an example of the two silhouettes we’ll be discussing in this article.  On the left is a good example of the very fitted, shrunken look that has been so prevalent in men’s tailoring over the last few years.  Notice the shorter jacket, the lack of ease around the button stance and the very fitted midsection and thighs on the pants.  On the right is the more relaxed silhouette that seems to be gaining some momentum as of late.  While still trim everything is just a hair looser which adds a more relaxed and comfortable appearance to the wearer.  The biggest distinction between the two looks is the relative fluidity of the clothing – very little is seen on the left whereas on the right you can almost see it flowing over his body.

A round peg in a square hole.

As much as we in the tailoring game like to think we’re above the influence of “fashion” we couldn’t be more wrong.  The Thom Browne inspired shrunken-look of the last decade has completely changed men’s fashion – it was a swing so drastic that everyone seemingly got caught up in it.  Undoubtedly the trim and extremely fitted look is great on few specific body types.  The problem though is that it is completely wrong for a far wider range of bodies.  The result was that for every guy you saw that looked good there was inevitably three guys that appeared squished into a suit that was a size too small.

Below are two examples of the look done right.

fitted done well

Next however are two examples of where the overly fitted look can go wrong.

too fitted

On the hole the tighter aesthetic led to a very stiff and rigid appearance where the fluidity of the clothing over the body was sacrificed.  The body in this situation was simply restricted by the clothes which in turn led to a more unnatural appearance.  It is a look that works beautifully on tall, long, lean bodies that aren’t overly muscle bound.  This is because the garment can be cut close to the body because the muscles and frame have very little expansion thus movement isn’t compromised that much.

For guys with muscles and curves though the game is completely different.  When cutting clothes for these type of bodies we have to make sure there is enough ease to account for the expansion of the muscles as you sit or move your arms forward.  At the height of the tightness phase the type of body one had didn’t seem to matter – clients would often desire a fit that made basic movements difficult and would want the stress marks as they viewed them as the mark of a good fit.

Introducing relaxed trim.

This shift towards the middle ground is what I refer to as relaxed trim.  It isn’t a drastic shift but then subtlety is everything in men’s clothing.  Adding a 1/2″ here, shifting a 1/4″ there – these subtle changes have a very real impact on how clothes will fit and feel.  By making the fits a hair less tight we’re able to create a far greater fluidity in how the garment moves with the body.  In conjunction with this there has also been a real shift towards softening the way garments are made – that means reducing the materials used in the making of the garment to make it lighter and more comfortable.

relaxed trim II

Add all this up and we’re seeing a fit that walks the line between comfort and trimness. Anytime we tailor a garment we look for it to be free of stress lines and pulling of any kind.  The focus is on having the garment move fluidly with your body and not restrict any standard movements. The result is much more natural appearance as the body and the cloth move as one – gone is the stiffness and rigidity of the overly tight look.

relaxed trim

More choice, more interesting.

Another important factor is an increase in choice.  From my perspective things got a little boring in terms of variations of tight being the dominant style.  If relaxed trim truly emerges as the new middle ground then we’ll be able to venture either way and still remain on-point.  Slender guys can still ask for a very trim look while bigger guys can add a bit more fullness to balance out their overall size. The big winners though will be those in the middle with their body type – the ability to go trimmer or fuller provides a wealth of different silhouettes at their disposal.

At the end of the day it’s a win-win.  Visually things become more interesting with a wider range of different silhouettes being deemed “in-fashion”.  Furthermore it encompasses a wider range of fits that better serve the myriad of body types that exist.  It allows everyone to get back to dressing based on their bodies attributes which is the number one factor we should all have in mind.  Dressing for fashion despite your body hopefully becomes a thing of the past.

As always I’d love to hear your opinions on this or any sartorial subject for that matter.  Better yet book a free appointment and we can banter in person and see if we might be a good fit to work together.

Take care – Michael

info@martinfishertailors.com

 

 

Kid Mohair – the ultimate summer fabric.

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On last weeks Friday Style Debate I asked what the best summer fabric was – based on the response from you guys linen easily took the decision.  My theory behind that – nobody knows what Kid Mohair exactly is thus it really had no chance against a giant like linen.  For the educated though – Kid Mohair is the go-to for the warmer months.

Kid Mohair – the ultimate summer fabric.

Mohair comes from the angora goat.  In the case of Kid Mohair it comes from the “kid” goats – in particular from the area of the belly which can be shorn only twice a year.  The result is a very soft, long and fine fiber that turns into a very strong and resilient yarn that makes up the fabric. In the case of Vitale Barberis Canonico the kid mohair is blended with wool – 86% wool, 14% kid mohair – to create the ultimate summer cloth that comes in at 8.5 ounces.

Why is it so effective for summer?

The fineness of the yarns allow for a very light cloth that is also extremely resilient.  This enables a more open weave in the production of the cloth thus enabling more air to pass through the cloth hence it keeps the wearer cooler in the warmer months.  Another factor with a looser weave is that it makes the cloth much more wrinkle-resistant.  As a result you can achieve the coolness of linen but maintain the crisp, sharp tailoring that a more traditional wool cloth provides.  It truly is the best of both worlds and with this gives it the title as the ultimate summer cloth.

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It gets better though – the angora wool is naturally white and takes dye wonderfully.  The result is an incredible array of options when it comes to colors.  Literally every shade you can imagine – the above image is of 10 different shades of blue in one style of weave!  Beyond the amazing colors you also get to see the different textures that get woven into the cloth.  The result is a very visually interesting cloth that is also very versatile in terms of the roles it can play – going comfortably from a casual summer suit all the way to a formal tuxedo.

If you want to know more book a free appointment to come to see the different cloth options in person.  I look forward to hearing from you.

Take care,

Michael

info@martinfishertailors.com

 

Friday Style Debate: the ultimate summer fabric…

Time to debate!

FSD - mohair vs linen

With the heat finally descending upon us the goal has now shifted to remain as cool as possible. Looser weaved fabrics are the way to go – the looser the weave the more air will pass and cool your body down even on the hottest and stickiest days!

Two great choices – the wool mohair blend on left versus the linen on the right.  Both will keep you cool but the way in which they do it is very much different. The wool mohair will remain crisp and sharp due to the wrinkle-resistant nature of the yarns its made from.  Linen on the other hand will wrinkle and provide a much more casual, live-in appeal that many find charming.  Both are great in my books but as always it comes down to personal preference.

With that in mind – what cloth will you choose for your summer suit this year?

Let the debate begin…

 

Put your best foot forward (even if that means dressing the same every day)

Put your best foot forward.  

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Put one’s best foot forward

1. (idiomatic) To show oneself in the best or most positive way possible; to make a favorable impression.

Try to put your best foot forward at all times during a job interview.

It’s hard not to agree with such a sentiment – how each of us interprets this statement from a clothing perspective though will be considerably different.  What can be agreed upon though is that each time you depart the house you want to feel at your best.  Without delving too deeply into the psychology behind it the power of clothing to influence our feelings is undeniable; and that’s without even pondering the influence is has on others perceptions of us.

Always look + feel your best.

Take a moment and really think about the outfits that make you feel the best.  What do you wear for that critical meeting?  What is your favorite look when you’re going out for an evening? Most of us have “go-to” outfits for these situations.  Now analyze why those combinations work for you – is it the colors?  Is it the cut and fit of the clothes?  Is it a combination of the two?  Is there a lot of variation to the looks or do you gravitate to one particular style?

If you’re all over the fashion map that’s fantastic.  There is a reason that fashion is constantly moving forward and presenting potential new trends each season.  If that is who you are then enjoy the variety and have fun with the possibilities.

colorful

A signature look.

On the other hand if you’re consistently pulled toward a specific look and color scheme do not fear!  The fashion world – from stores, to magazines, to stylists – all try to make you feel badly for not being adventurous.  Don’t listen to them – figure out what works for you and knock it out of the park every time.  The only way to achieve a signature look is to actually take the time to develop one – here are a few who have done exactly that:

Gianni Agnelli

Gianni Agnelli

The Godfather of Style; Italian industrialist and owner of Fiat.  Undoubtedly the most influential style icon of those in the suiting world.  9 out 10 times he was in shades of grey though he throw in the odd navy to keep you on your toes.  Notice his signature look in the lower right – the watch worn over the cuff.

Prince Charles

The Prince of Wales

The undisputed king of the double breasted jacket; worn closed, open or the extremely difficult casual usage.  Considering he is royalty it makes sense that his tailoring is from Savile Row and is impeccable at all times.

Albert Einstein

Albert Einstein

The rumor – though unsubstantiated – was that he had a closet full of essentially the same suit; like Agnelli they were in varying shades of grey.  His famous quip of course was that he had more important things to do than figure out what to wear each day.  The approach served him well I would say.

It’s how you feel.

The concept behind the signature look is all about feel.  On a personal level I pretty much only wear navy and gray with touches of olive, brown and baby blue. When I go outside of this scheme I simply don’t feel as comfortable.  Other colors and combinations might look great on me but when I wear them I just don’t feel right.  As a result I’m not comfortable and thus there is no reason to step outside of my comfort zone.   That is the point of this article – having your signature look is okay and in fact promoted.

8/10 days I’m in navy or gray suit, a white, baby blue or baby blue & white striped shirt along + brown shoes and plain tie in navy, grey, silver, brown or green. The other two days would be olive or brown.  Those very curated combinations make me feel at my best that is the foot I want to put forward every day.

In the same way during the summer you’ll find me in a white polo or a white button up shirt. The shorts will be seersucker or grey cotton; the pants will either be navy or olive.  This is what makes me feel right.

Some will say this is boring; others will say it makes total sense.

Final thought.

I felt the need to discuss this concept as lately I’ve experienced many clients who have been almost apologetic for not venturing outside of their standard style and color schemes.  It made me realize that a lot of guys feel the power of the fashion marketing machine and needed a bit of reassurance.

At the end of the day it’s about a great fit, amazing fabrics and perfecting the details that make your clothes right for your lifestyle.  That’s what enables you to feel right and put your best foot forward each day.  If that’s boring – so be it.

As always please let me know what you think and if you have any questions or concerns – better yet book a free appointment and we can talk some of these points through and find out if we might be a good fit to work together.

Take care,

Michael

info@martinfishertailors.com

Friday Style Debate: The Merits of The Left and Right Footed Sock…

It’s time to debate!

photo 2

I must admit that I’m blurring the lines between debate and research on this one – depending on the response I might have to seriously look into sourcing this! The idea of right and left footed socks first came to my attention when my father bought a pair of running socks and raved about them for months.  I then discovered last night that I to had a pair – unknowingly by way of a gift from my mother.  I broke them out for the first time and I must say that they felt pretty fantastic.

Which gets us down to our question – is the left and right footed sock nothing but a sales gimmick or is there actually some common sense in it?

Let’s debate…

4 Keys To Perfect Balance (in clothing not life I’m afraid)…

This post picks up from our discussion last week on the differences between bespoke and made-to-measure clothing – in particular the importance of balance as it pertains to a great fitting garment.

When we talk about balance what we’re essentially discussing is how a jacket or pant hangs on the body.  Put simply the goal for any jacket is to have the side seams aligned vertically while the bottom hem of the jacket rests perpendicular.  Achieving this seemingly basic goal can sometimes be easier said than done based on the posture a person might have.  This is why the skill of reading the body in tailoring is so crucial; information that is then transferred into the pattern and ultimately into a perfectly tailored garment as the end result.

4 keys to perfect balance.

Is there a thing as a perfectly balanced posture?  Finding it in the real world is difficult but thankfully we have diagrams like below to show us:

Perfect Posture

On the left you see a perfect balance between the left and right sides of the body.  Key in this is that the shoulders and hips are at the same height on both sides of the body.  On the right side of the diagram we see a perfect balance between the front and the back.  Notice how we generally carry more of our body mass to the front side of the vertical plane; this is of course offset by the upper back and seat on the back side.

Unfortunately though most of our bodies simply aren’t this balanced and proportional.  More often than not we’re twisted to some degree and hold our weight in a forward or backwards angle.  The result is that we have to play with the balance of our jackets and pants to make our bodies appear straighter than they are.  To achieve this we need to address the four major balance issues.

1. Vertical Balance

When we talk about vertical balance it’s easiest to think about the two main pieces of a jacket – the front (green) and the back (red).  They start at the neck point and go down towards the hem the jacket.

perfectposture (3)

In a balanced pattern like we see above the front is typically 1″ longer than the back.  The greater length is due to the fact that it has to go over the chest before going down to the hem; whereas the back has less distance to travel over the blades in the upper back.

Where things start to go wrong for your basic balanced coat is when the posture changes.  I’ll explain what happens by using two common postures – an erect and a stoop.  As you can see in the diagram below with a stoop the head and shoulders roll forward; whereas with erect posture the head and shoulders shift back

erect and stoop

Two things happen as a result.  Firstly the neck point moves forward (stoop) or back (erect). Secondly the length required for the respective fronts and backs change.  In a stoop the back length needs to increase as it has to get over the blades.  At the same time front length needs to be shortened as it is a straighter line towards the hem at the bottom.  The exact opposite happens with an erect posture – the back length needs to shorten as it has the straighter line while the front needs to be increased as it has a longer way to go over the chest and then downwards.  (Apologies for the child-like felt lines!)

Here is a real life example of what happens to a balanced jacket when it gets put on someone with an erect posture.

Erect posture with short back

Ignore the red lines for a moment and look at how the jacket is sitting.  As the red arrow indicates the bottom of the jacket is kicking forward which is collapsing the back of the jacket on the love handles and seat area.  This also manifests itself on the frontal view as the fronts below the button stance start crossing over.

Why is this happening?  Because he is erect he needs more length on the front and less on the back.  To correct it we need to take about 3/4″ off the back and add it onto the the front of the pattern.  The result would be the red lines – the jacket would comfortably get over his chest and fall straight down on the front which would release the “kick effect” on the back thus pulling it off his seat and into proper balance.

2. Horizontal Balance

After dealing with vertical balance this should be a breeze.  We’re still talking about the relationship between the front and back but in this case it’s on the horizontal plane – see the diagram below:

horizontal balance

Again it comes back to posture – different postures alter the proportional relationship between the chest and the back.  At times it’s balanced, at other times we need to give more to the chest and take away from the back, while at other times it’s the exact opposite.  As you can see in the four diagrams there is different level of fullness on each side of the vertical line – we always need to take this into account when reading the body.

One other piece to keep in mind here – musculature.  Posture defines the proportional relationship but then the muscles add a next level as they expand and contract.  This leads to the inevitable discussion between tailor and client about how trim the cut should be.  Certain muscles need more room than others to expand – always keep that in mind!

3. Left vs Right

This is less a posture issue and more about the skeletal make up of the body.  In my experience as a tailor most of the bodies I work with are not proportional.  In most cases one shoulder will lower than the other as will one hip be higher or lower.  Add in sport/general life injuries and the fact that most of us have one side more developed (muscle wise) than the other there are a lot of little tweaks that need to occur to get a jacket or pant to sit in a balanced manner.

This is why you can play such a critical role in the made-to-measure or bespoke process. Nobody knows your body better than you.  You see yourself everyday in the mirror and with a little attention you will see these details.  With that in mind when you’re in a fitting I encourage you to mention these details – fact is as a tailor it’s sometimes hard to see all these skeletal issues when you’ve got clothes on!

4. Shoulder Angle

Last but not least is the angle of the shoulders.  I’m sure you’ve heard it before but the shoulders set the tone for how a jacket looks and feels.  Having the angle of the shoulder mirroring your body is critical to this process.  Here is what we’re talking about:

Shoulder angle

When the angle of the shoulders is off two main things happen; firstly if you’ve got square shoulders then a roll of excess fabric will occur at the base of the neck like this:

Collar-Roll-580x389 (1)

Secondly; when the shoulders are too sloped for your body then the armholes will be collapsed as you put downward pressure on them as they are located too high.  It will look like this – notice the stress marks coming from the neck towards the armhole:

sloped-shoulders

In both cases the angle from the neck to the shoulder point is moved either up (square) or down (sloped).  Equally important though is that the bottom of the armhole is moved as well to maintain the shape and size.

In Closing

These four balance issues are crucial for clothing that fits perfectly and perhaps more importantly feels like it’s not there.  As I said above if you’re going to a tailor take some time to analyze your body as it will assist in the process and get you closer to a perfect fit on the first try.  By the way if your tailor scoffs at your assistance then perhaps you have the wrong tailor.

As always please let me know what you think and if you have any questions or concerns – better yet book a free appointment and we can talk some of these points through together and find out if we might be a good fit to work together.

Take care,

Michael

info@martinfishertailors.com

Friday Style Debate: the right length for shorts…

Time to Debate!

Shorts

Not many subjects in menswear ruffle the feathers quite like the short issue.  There are always two distinct camps – those who feel they are never appropriate and those who feel there is always a time and place.  I am most definitely side with that latter camp – those who feel otherwise likely just have legs they’re not too proud of!

Which brings us to our topic today – in the event you do choose to wear shorts what is the best length?   Short, medium or long are the choices – let’s hear some opinions as to the why with this one.  Is it based on height?  Type of legs you have?  Type of footwear?  Socks verses no socks?  Overall feel of the outfit?

Lot’s to consider – let’s debate…

Introducing the low-high…

I attended the Jacques Herzog architecture lecture put on by the Vancouver Art Gallery last night.  Easily the best dressed crowd I’ve seen in Vancouver for a long time – a great range of styles and from different age groups.

This fellow caught my eye – a pretty solid example of the more casual low-high.  Well played!

casual high-low

Bespoke vs Made-to-measure – don’t be fooled by language…

Over the last week I found myself in three separate conversations around what constitutes bespoke suiting in relation to made-to-measure.  Unfortunately the context of these conversations was in response to the miss-use of the word bespoke by a few makers running around town as well as online.  Hopefully this post will clarify some of the confusion that is out there once and for all.

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What is meant by bespoke?

I’ll start with the word bespoke itself; it’s derived from the adjective, “bespoken”, meaning “ordered, commissioned, arranged for.”  In terms of bespoke tailoring it officially refers to a suit that is made on or around Savile Row in London’s Mayfair district.  Over the years The Savile Row Bespoke Association has gone to great lengths to protect the word and how it’s used in terms of describing and advertising suits.  Unfortunately this has been a loosing battle as the word gets shamelessly thrown around reducing its value and meaning from a craft perspective; one that has been practiced in that location to exacting standards for over two centuries. Simply put – if it’s not from Savile Row then it’s not real bespoke.

Don’t other locations in the world do bespoke though?

They do and they don’t.

I’ll start with the don’t.  Tailors of this level from other parts of the world don’t refer to what they do as bespoke simply because they know better.  For example in Italy – a location with an equally long and glorified tailoring tradition – they refer to the process as su misura; roughly translated as custom-made or tailor-made. Each area has their language to describe the process – in this way bespoke is specific to the English and Savile Row.

As for the type of suit that is made via this process – absolutely other locations in the world make a similar level of product.  The reality though is that not many makers in the world exist that are doing it at the level we’re describing when we talk about Savile Row or the best Italian tailors of Florence and Naples.  This is where things begin to get even blurrier; what goes into the process of making a suit and how it differs from level to level.  With that in mind we’ll start at the top.

What sets a bespoke level suit apart?

For the sake of clarity I will continue to use the term bespoke to refer to the top level of tailoring in the world – whether it’s the famous tailoring houses of Savile Row or the historic family-based artisans of Italy.

1. Individualized Patterns

This represents the major point of difference from all other levels of tailoring.  At this level each individual client has an individual pattern developed from scratch. At the initial meeting the clients posture is observed and in combination with their measurements an individual pattern is constructed onto medium card stock paper.  As the client moves through the process changes are inevitably required; each of these – big and small – are recorded and the pattern is re-cut to represent what is happening with the actual suit itself.  As you can imagine this is extremely time consuming but more importantly it allows for a complete history of the process to be maintained for the maker to go back to as a guide.  It also provides a starting point for any further future commissions.

bespoke-the-mens-style-of-savile-row-book-rizzoli-style-4

2. Made In House

The entire process – from observation and measuring, to pattern development, to fittings, to the final construction of the suit – must occur in-house.  The level of detail and the overlapping nature of the process requires perfect unison between all people involved.  As such no aspect of the process can be outsourced to an off premise location.

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3. Fittings

Typically there will be three fittings – beginning with the first fitting or “skeleton baste”.  This is where the basic parts of the suit (no collar or sleeves) are roughly sewn together using a basting thread – in essence this is to correct any major balance errors in the pattern.  Once the changes are marked on the cloth (and on the pattern) the basting threads are ripped apart and the suit is reconstructed for the second fitting stage

The second fitting – also known as the “forward fitting” – is where the body of the jacket is pretty much completed though the collar and sleeves will still be in the skeleton stage.  At this point the client will be able to get a real sense of how the suit fits and any small and specific changes are made to both the suit and pattern.

Caraceni-fitting-467x700

Next is either the “finish bar finish” stage or the final fitting.  The “finish bar finish” is where the entire jacket is complete minus the buttonholes.  This is one last moment to make sure everything is perfect before you cut holes into the cloth – of course once you hit that stage there is no turning back!  This is done when there is no rush or if the client cannot be seen for a final fitting.  As for the final fitting – it is of course the final check before the suit gets handed off for good.

4. Cost

Needless to say the first three points represent a lot of time and skill.  Not discussed is the fact that the actual construction of suits at this level involves an amazing amount of hand sewing in the finishing – at a minimum each suit being constructed will have over 50 actual man-hours put into it.  As such it’s expensive – opening price points will be around $5000 for a basic cloth quickly climbing to upwards of $10-15,000.

Then what is Made-To-Measure?

Simply put Made-to-measure (mtm) is the more affordable younger brother of bespoke.  It takes aspects of the bespoke process and combines it with a traditional factory system to create a more affordable option which still allows the client to achieve a great fit while also having control over the cloth and aspects of the design process.  In comparison suits will open in the $600 range and top out somewhere in the $3-4,000 range.

The most important distinction is that mtm suits are developed from existing patterns.  Just like the bespoke process the client is observed for posture and measured; in the case of mtm though that information is applied to a range of existing patterns from which the best suited pattern will be chosen.  This becomes the starting point from which the manipulations to create the best fit will begin.

Another critical difference is the role of the fittings as most mtm offerings don’t conduct this stage.  Because the suit will be constructed from an existing pattern it is far more efficient for the client to put on a “fitter garment” during the measuring stage.  Seeing how this garment works on the body provides some of the same insights that the first and second fittings allow for in the bespoke process.

Are there different levels of Made-To-Measure?

Absolutely – and this is where you need to ask the right questions of a tailor when you’re in the early stages of deciding if you’re a good fit to work together. Ultimately the tailor should bring these questions up with you but that won’t happen in all cases.  With that in mind here are what I see as the tow levels of mtm. Do note that these are my own titles so don’t be surprised if another tailor doesn’t refer to them in a similar fashion.

Full Made-To-Measure

The first distinction is that the pattern is cut individually and all aspects of posture are able to be taken into account when manipulating the pattern.  This is the most crucial stage – be it in bespoke or mtm – as getting the balance of the garment in sync with the clients body is what custom clothing is all about.  There are four key balance issues that must be dealt with; the two major ones are vertical balance (relationship of the front and back from the shoulders down) and horizontal balance (relationship of the front and back in terms of circumference).  The two minor ones are the relationship between the left and right and then lastly the angle of the shoulders (regular, sloped or square).  If all of these factors are not taken into account then it cannot be considered a full mtm service.  On top of this basic details such as shoulder width, half back, width at button stance, length in the body and sleeve, pitch of the sleeves, etc are all taken into account. A little confused?  Don’t worry – next weeks post will focus on these four major and minor balance points in detail.

The second distinction – you’re able to make construction and design decisions.  By that I mean you get to decide if you want a structured garment or one that is more unstructured.  You also get to decide the details such as whether it is a single breast or double breasted jacket, the width of the lapel, height of the button stance, type of pocket style, the rise of the pant, etc.

And lastly – you have access to a full range of cloth selection from a number of different mills.

Half Made-To-Measure

At this level the options for dealing with different posture issues is greatly reduced.  The two major balance issues – vertical and horizontal balance – are not dealt with.  What is taken into account is the two minor balance issues plus the jacket is altered to your measurements at the button stance level and at the sleeve.

From a construction and design perspective more often than not there is a specific style and no deviation from that pattern is possible.  This type of operation is closer to a traditional factory setting thus the level of customization is reduced to increase efficiency and drop cost.  As for cloth – typically this type of service is restricted to the cloth that the maker of the garment has in stock.  What that means is a good selection is available but not nearly as wide a selection as at the full service level.

To finish.

I know there is a fair amount to chew on in this post.  The key take away – just because a company uses #bespoke doesn’t mean they produce a bespoke garment.  In fact I will guarantee you that they don’t.

As always let me know if you have any questions – better yet book a free appointment and we can talk some of these points through together and find out if we might be a good fit to work together.

Take care,

Michael

info@martinfishertailors.com

Local Brand of Note: Sitka Clothing

Introducing Sitka Clothing.

If you’ve walked 4th lately you’ll have noticed a stylish new retail shop just west of Arbutus on the North side of the street.  Sitka Clothing hail from Victoria and has a great product line for both men and women.  More importantly though they’ve got a very conscientious business model – check out their perspective here.

As for me – I’d been needing a bridge season shirt-jacket to get me through the mild spring tempretures and they nailed it on the head with this classic light wool flannel version.  I admit to a little doctoring – I removed the box pleats on the back and added two seams to create a bit more of a fitted silhouette.

Sitka Clothing