Friday Style Debate: over the top detailing or just plain beautiful…

Let’s Debate!

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I can safely say I have never seen this in all the years I’ve been involved with tailoring – let’s just say it takes the imagination to the next level.  What we’re seeing here is working button holes on the cuff of a pair of bespoke trousers.  This comes from our friends over in Seoul at B&Tailor shop.

I think the old me would have scoffed at the unnecessary embellishment.  Since my visit to LA though I’ve become more open to experimentation and the varying styles that are out there. With that in mind I’m loving this detail – not saying I’d do it myself but definitely appreciating the beauty and craft of it as well as the playfulness!

What about you – a step too far and just plain wonderful?

Time to debate…

5 Keys To The Perfectly Fitting Jacket

Without a doubt there are a lot of posts on how to achieve the perfectly fitting jacket.  With that in mind I’m going to get a little technical to fill in some of the gaps; use these keys to get very specific the next time you’re purchasing a jacket whether it be with your tailor or straight off-the-rack.

A general point before we get going though; the perfectly fitting jacket should take your general shape.  The days of excessive structure and padding in the jacket are gone.  Instead the aim is to create a shape that softly follows the line of your body and enhances your natural silhouette as opposed to providing you with a new one.

5 Keys To The Perfectly Fitting Jacket

1. Get the shoulder and sleeve treatment right.

Firstly the shoulders set the tone for the jacket.  In terms of pure fit the shoulders of the jacket need to correspond to the natural width of your shoulders.  The seam should sit on or near the outside edge of the shoulder bone while the sleeve line falls smoothly downwards from there. Here is good example of this:

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And here are two examples to avoid.  On the left is a strained and collapsed upper sleeve due to the shoulders being too narrow; on the right is a protruding shoulder that ‘floats’ due to excess width creating a divot as the shoulder line falls downward.

perfectly fitting jacket

But there is some leeway that can be used to create a subtle visual manipulation.  It comes from finding the right combination between the angle of the shoulder seam and the type of sleeve that is chosen.

With the aforementioned shoulder bone as the guide we can set the sleeve inside, on or outside of this point.  The key in this is subtlety – we’re talking about a total shift of a quarter inch or so. The top image below is set outside thus creating an inward angle from the shoulder to the chest.  The bottom image is an example of an more inside set – the result being a straighter angle from the shoulder to the chest.

perfectly fitting shoulders

Why would we do this?  To manipulate how the shoulders look.  An outside set makes the shoulders look bigger while an inside set makes them look smaller. This is extremely helpful for guys with bigger mid sections – by setting the seam outside we make the shoulders appear wider in relation to the belly which visually slims the overall silhouette.  As for the sleeve – when it’s set inside we need to add fullness to the top of the sleeve so as to allow it to smoothly get over the deltoid muscle and not collapse as seen above.

2.  Get the chest and height of the armhole right.

These are dealt with together due to the fact that the two points come together at virtually the same spot.  The key piece of information though – the higher the armhole the better.  Feeling your armhole is not a bad thing – it should not restrict you in any way but feeling it something that is encouraged.

Why is this?  The higher the armhole the more independent the arms movement is from the rest of the jacket.  With a low armhole the sleeve actually attaches below the chest level thus every time the arms move it pulls at the area around the chest.  The result is a jacket that is constantly shifting and hence uncomfortable.

A secondary aspect of the high cut armhole is that we’re able to achieve a cleaner and trimmer chest as a result; this being due to the fact that the actual armhole itself is cut smaller.  It also allows for a longer line from the bottom of the armhole to the hem of the jacket.  We want this line to be as long as possible because it helps visually elongate the body.  It also enables a more slimming angle towards the button stance than if it began from a lower point.

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Apologies for the grainy picture on the left above – fitting that a bad picture is of a bad armhole. Notice the pulling that occurs with the arm slightly raised to enter the pocket.  Compare this to the image on the right which is perfectly clean despite the fact that his hand is raised chest high.

3. Get the button stance right.

The button stance is the narrowest point on the jacket hence it needs to correspond to the narrowest point on the body.  On most of us that means a slightly lower sitting stance; roughly 2-3 inches above the belly button at which point our love handles begin.  Keep in mind that lower is better as it creates a longer “V” from our collar down to the button.  A longer line visually elongates our bodies making us appear slimmer and taller.

low button stance

In terms of width – the button stance should be trim without being tight.  In days gone by the norm used to be that you could fit a full fist between your stomach and the jacket when it was pulled forward; nowadays it’s more like half a fist.  As a loose guide the jacket at the button stance should be between 3 – 4 inches bigger than your belly measurement.  Finding the exact amount is a personal choice – that said keep in mind that too much is sloppy while stress wrinkles from being too tight is simply bad.

4. Get the hip and seat right.

Perhaps the most overlooked aspect of getting a jacket to fit perfectly.  Far too many guys get fixated only on how the jacket looks from the front.  No where does the full 360 degree view matter as much as it does when dealing with the hip and seat areas – get the whole picture right.

When it’s too tight two things occur; first being the jacket looses its fluidity as it gets caught up on the hips.  Secondly the vents gape open which is a clear sign to everyone that your jacket is flawed.  On the flip side when its too loose you can see a ‘wave’ of excess cloth on the side panel in front of the vents.  This leads to visual weight; particularly from the frontal view as a clear flare occurs in the skirt of the jacket.  In both cases subtlety reigns supreme – literally one to two inches in the overall circumference is the difference between a perfect fit or not.

fit in the seat

5. Get the body and sleeve lengths right.

It sounds simple enough but when I look around town these are two points that seem to be constantly missed – the body I can somewhat forgive but the sleeves I cannot.

The body is legitimately difficult because it is a combination of style and the proportions of your body.  In recent years fashion has leaned towards the cutting of a shorter jacket.  This is fine but it needs to be in sync with your proportions.  The traditional rule has always been that the jacket should cover your seat; keep this in mind as you think about whether or not you want a shorter more contemporary cut jacket.  One inch above your seat is proportional and fashionable while two inches is likely just plain short.  As for longer – regardless of your proportions I suggest you never go further than the bottom of your seat.

As for the sleeves there is no excuse to miss here as you must show cuff – between 1/4 and 3/4 of inch.  The reason is to create a hint of contrast at the wrist that combines with the shirt and tie at the front.  Failure to do so means the suit threatens to overwhelm the entire look – it’s akin to a wall of one color coming at the viewer.  The contrast softens the look and makes you look like you’re not wearing your older brothers clothes.

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Don’t hesitate to get in touch if you have any questions – you can also set up a free appointment to talk some of these points through and to find out if we might be a good fit to work together.

Take care,

Michael

info@martinfishertailors.com

 

Friday Style Debate: LA high-low style…

Let’s debate!

I just posted a new entry on the high-low style – and now we have a real life example!

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Monique snuck this shot while we were eating at Gjelina on Abbot Kinney Blvd in Venice.  A great restaurant on by far our favorite street in LA – check it out when you get the chance.

It’s difficult to see but this guy is wearing a lightweight navy suit pant in combination with the Gucci high tops.  To add a bit personal style he even had the pants loosely rolled as they needed to be shortened to take into account the high tops.  When he departed he put on a unstructured matching jacket to complete the classic LA high-low look.

Do we like it or are the kicks going a step too far?

Time to debate…

 

Introducing the high-low style…

After spending a few days in Los Angeles last week I was reminded that it is one of the few major cities that is equally as casual as Vancouver. Don’t get me wrong; it’s most definitely a fashionable city but one that finds its voice from a very laid back place.

We in Vancouver share a very similar fashion DNA – comfort more often than not takes precedence though we’re looking to be on point and maintain a put together aesthetic.  Enter the high-low style.

What is the high-low style?

The high-low style is a concept were you take a fairly dressed up look and reduce its formality by pairing it with one or two distinctly casual pieces.  The most common method is to take a suit as the base and then reduce by way of your footwear – particularly via trainers.  The second element is often more subtle as can be seen in the images below.  On the left it’s the fact that he forgoes the tie yet buttons-up.  The hat also brings the look down one notch further still.  The fellow on the right uses a short sleeved cotton dress polo (a polo shirt with a dress shirt collar) in the place of a dress shirt to the same effect.

The high-low look

The key with both of these looks is that they aren’t far off being elevated back up the formal scale.  Change out the trainers for leather lace-ups and both guys are essentially back; add a tie to the guy on the left and he’s ready for the boardroom.

The concept came to my mind years ago as a way to describe how European women effortlessly walked this line; an aesthetic that was loosely referred to as casual chic at the time.  For me it was the ultimate because while it was clear that they weren’t trying to be dressed up they were most definitely fully put together.  This is a subtle but crucial difference.

Women's high-low style

Dressed up verses put together.

With menswear when you’re dressed properly it really comes down to nailing all the details.  A crisp, perfectly fitted suit; the polished lace-ups that perfectly compliment the color of the suit;  the socks, tie and pocket square that compliment both yet add a hint of punch to the look. Each individual piece needs to sync with one another and seamlessly bring the outfit together.

The high-low turns this on its head by implementing the one or two pieces from an entirely different stylistic place.  In the end it’s the lack of syncing up that adds visual interest and personality.  It’s completely put together and thought out though the feel and the intended messaging is totally altered.

Why do we use the high-low style?

For me it was the desire in my early twenties to go against my naturally preppy appearance.  I used trainers and sportswear pieces to change the feel – the goal being to look put together and fashionable but not overly polished.  Twenty years on and its still playing the same role for me in certain situations.

The same goes for Vancouver as a city – and while we’re at it Seattle, Portland, San Francisco and Los Angeles.  We’re not the East Coast nor are we anything close to Europe.  We’re constantly wary of being overdressed and searching for ways to reduce formality.  The high-low style fits our scenario perfectly – thoughtfully put together but with a laid back west coast sensibility.

Loose rules.

Unstructured is easier.

There is a lot of buzz right now about unstructured jackets which is odd considering the Italians have used them for decades.  With a warmer climate the idea is to reduce as much excess bulk in the jacket as possible; removing a layer of canvas, reducing or remove padding in the shoulder all together and perhaps eliminate the lining.  This instantly gives a softer look and lighter feel while maintaining a sharp silhouette.  This is more casual in nature and simply more comfortable which is crucial in achieving a successful high-low.

Remember you’re not really wearing a suit.

If you were then you’d have proper dress shoes on and we wouldn’t be talking about the high-low!   With that in mind think of it as though you are wearing the pieces of a suit as opposed to wearing a suit itself.  It’s a subtle though very important distinction.

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As such feel free to un-tuck your shirt, play with the length of your pant hem, pair it with a bowler hat – generally express yourself any way that feels right.

When wearing a tie it’s all about the fabric.

Flying in the face of convention is an element of the high-low style.  That said you need to know where you can push the rules and where you can’t.   The tie creates a dangerous scenario – look at the two images below:

suits with trainers

I won’t mention the magazines that promoted these looks but essentially they said it’s okay to wear trainers with fully put together suit and tie looks – I disagree. The above images are of suits made from smooth worsted fabrics which represent the pinnacle of formality.  Simply changing out the shoes doesn’t achieve a successful high-low – if anything it makes a bit too try hard.  Avoid at all costs.

The images below however are a different case.

high-low style with tie

The difference is in the cloth – these two suits being made from cotton.  By reducing the formality of the cloth in the base suit you’re then able to play the high-low game while choosing to go with a tie.

Play around.

In the end it’s about delicately walking the line between the two levels of formality.  How you do that comes down to your personality as well the context that you’re dressing for.   The message you’re trying to promote in the tech sector is completely different than if you’re an advertising executive which is different still if you’re in the entertainment business.  The key is that you read the level of formality required for you field and start to play with it until you find something that works for you.

No doubt the high-low style takes a bit of trial and error and is higher on the difficulty scale than a lot of other looks.  Don’t hesitate to get in touch if you have any questions – you can also set up a free appointment to talk it through and see if we might be a good fit to work together.

Take care,

Michael

info@martinfishertailors.com

Old(er) Man Style…

Textbook seasonal transition.

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This is absolute perfection in my books.

With the weather getting warmer we’re now in full transition mode and you cannot have a better piece of inspiration than this.  A flannel trouser speaks to the fact that there is still a bit of bite in the air when you’re in the shade; the light grey however is a nod to the warmth of the sun.  The navy blazer is unstructured which makes it lighter and breath better for those moments when you get back to the car and it somehow already feels like a sauna.  Top of it off with a crisp white shirt and loafers while going sockless and we have achieved seasonal perfection.

Well done…

The Odd Suit In Relation To The Odd Jacket…

I’ve received a bunch of feedback from last Thursday’s Odd Jacket post and as a result a bit of clarification and further explanation is in order.  A lot of the questions and comments centered on the use of a suit as separates and if that could be considered an odd jacket in itself.  With that in mind I introduce the concept of the odd suit.

What is an odd suit?

An odd suit is formed when you take two suits, split them up and then wear them in combination with each other.  The key factor in this is that the fabrics of the two suits have to be very similar to one another for it to be termed an odd suit.  The obvious benefit is four looks out of two suits – as you see below it’s another reason why a basic navy and grey should always be your fist two purchases:

N + N-G

1) Navy suit                                                        2) Navy jacket with grey trouser

Grey + G-N

3) Grey suit                                                        4) Grey jacket with navy trouser

Here are some other options in terms of colors and types of cloth:

odd suit

Where does the odd suit sit on the formality scale?

The odd suit sits in the second position in terms of business norms.  The full suit on the left is obviously is the most formal option while the odd jacket and trouser look on the right sits in the third position.

formality scale

Why would you choose to go with the odd suit?

The first reason is practicality and is important for those readers who are building their business wardrobe on a tight budget.  For those starting out often two suits is all that they can afford; two suits with four looks allows you to make it through the work week without having the same look twice if you’re office is dressed casual friendly on Friday.  Keep in mind the focus should be to arrange your looks so that the same pants are not worn on consecutive days – this is crucial for extending their life.  We don’t worry about the jacket in the same way as it usually is hanging on your door for most of the day.

Beyond practicality I have two main reasons that I like to go with the odd suit in certain situations.  The first is because it’s slightly less formal than a full suit. Depending on your profession or the context of a given meeting sometimes a full suit sends the wrong message. An odd suit fits the moment where you need to be perfectly put-together yet you don’t want to overpower the situation.  On a personal level I will often go with the odd suit for meetings with clients in the creative fields – be it marketing, advertising or design.  These environments are slightly more casual and as such require a look that is slightly turned down in relation to a law or accounting firm.

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The second reason is visual interest.  In the standard business outfit you have 6 elements – jacket, pant, shirt, tie, pocket square and shoes.  The most dominant aspects are the jacket and pant; by using two colors in the base we have more options in terms of multiple color combinations.  Another way of looking at it; the full suit is no-nonsense simplicity whereas the odd suit is all about creative opportunity.  The image below is an example of this  – Maciej from Zaremba in Warsaw in fact takes it to the next level by introducing a third base element with the vest.  It was visually interesting enough that he chose to forgo the pocket square all together!

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At a minimum it gives you a touch more freedom to express yourself – play with it and see what feels right.  As always I look forward to hearing from you. Perhaps more than any other post I’d love to see what odd suit combinations you wear on a daily basis – please feel free to send them in!

Take care and thanks for reading.

Michael

info@martinfishertailors.com

Sometimes you just have to be special to pull a look off…

With the arrival of spring we’re beginning to see a the first shifts in how many of us dress – a key element of that being guys desire to look casually put together. One of the biggest mistakes guys make in this department is going for the t-shirt and odd jacket combination.  This is a high degree of difficulty look to pull off with any success and for 90% of us we should just stay away.

That said there is a very small fraction of guys out there who can pull it off – here are two examples.  If you don’t  do it with this type of swagger and panache then don’t do it all all.

t-shirt and jacket #1

Which begs the question: what is the intangible quality that these two have that the vast majority of us do not?

For me it’s the ‘je ne sais quoi’ effect – I don’t know what it is but certain guys simply have a look and feel about them that enables them to push boundaries in a successful fashion.  I know it’s not fair but if you have any doubts about your “intangible qualities” then play things safe and make sure you have a collar on that shirt!

 

Friday Style Debate: Crew vs V neck sweater…

sweaters

Time to debate!

I absolutely adore sweaters – if I’m not wearing a tie then in all likelihood I’ve got one on.  They can dress up a more casual look or soften a more dressy one – you could say they’re almost as versatile as the odd jacket!

Today’s debate comes from a place of genuine curiosity – on a personal level I’m not even certain there is an answer for this one.  That is why the debates exists in the first place!  So today’s question – is one style of neckline more formal than the other?

This one will probably come down to personal taste more than anything – I look forward to hearing your thoughts.

Let the debate begin…